Stances · Sogi (서기)
A stable, correct stance is the foundation of power and balance. These are the core ITF stances; the weight distribution is the key to telling them apart.
| Stance | Korean | 한글 | Weight | Description & use |
|---|---|---|---|---|
| Attention stance | Charyot sogi | 차렷 서기 | 50 / 50 | Heels together, feet at 45°. Used for courtesy and the bow. |
| Parallel ready stance | Narani junbi sogi | 나란히 준비 서기 | 50 / 50 | Feet one shoulder-width apart, parallel. The default “ready” posture. |
| Walking stance | Gunnun sogi | 걷는 서기 | 50 / 50 | Long, stable front stance for attacking and front-facing blocks. |
| L-stance | Niunja sogi | 니은자 서기 | 70 back / 30 front | Back-weighted defensive stance shaped like the Korean letter ㄴ. |
| Sitting stance | Annun sogi | 앉은 서기 | 50 / 50 | Horse-riding stance, weight low and even; builds leg strength and side techniques. |
| Fixed stance | Gojung sogi | 고정 서기 | 50 / 50 | Similar in shape to L-stance, but with even weight; do not lock the knees. |
| Rear-foot stance | Dwitbal sogi | 뒷발 서기 | ~90 back / 10 front | Almost all weight on the back leg; the front foot is light for quick kicks. |
| Low stance | Nachuo sogi | 낮추어 서기 | 50 / 50 | A longer walking stance used to extend reach. |
| X-stance | Kyocha sogi | 교차 서기 | Supporting leg bears weight; other foot touches lightly | Support the body on the stationary foot; the crossing foot touches lightly on its ball. |
| Closed / Close stance | Moa sogi | 모아 서기 | 50 / 50 | Feet together; a compact ready or transitional posture. |
| Bending ready stance | Guburyo junbi sogi | 굽혀 준비 서기 | ~100 on one leg | One knee raised, ready to deliver a side or back kick. |
| Vertical stance | Soojik sogi | 수직 서기 | 60 back / 40 front | A narrow, upright stance between L-stance and walking stance. |
| Diagonal stance | Sasun sogi | 사선 서기 | 50 / 50 | Like sitting stance with one foot advanced; weight remains even. |
| Crouched stance | Oguryo sogi | 오그려 서기 | 50 / 50 | A lowered stance with the knees directed inward; learn the alignment with an instructor. |
| One-leg stance | Waebal sogi | 외발 서기 | 100 on supporting leg | Stand on one leg with the other foot raised beside the supporting knee. Named for the supporting leg. |
| Inner open stance | An palja sogi | 안 팔자 서기 | 50 / 50 | An open stance with both toes turned inward. |
| Outer open stance | Bakat palja sogi | 바깥 팔자 서기 | 50 / 50 | An open stance with both toes turned outward. |
Stance Diagrams
Foot positions seen from above. Percentages show the weight on each foot, a dashed outline is a raised foot, and red shading means only the ball of the foot touches the floor. The arrow points forward. The drawings are not to scale, so use the written measurements.
Attention
Charyot50 / 50Parallel Ready
Narani Junbi50 / 50Walking
Gunnun50 / 50L-Stance
Niunja70 back / 30 frontSitting
Annun50 / 50Fixed
Gojung50 / 50Rear-Foot
Dwitbal90 back / 10 frontBending Ready
Guburyo Junbi100 on one legX-Stance
KyochaLeft foot supports; right crosses in front to its left, touching on the ball. Jumping entries may cross behind.Closed
Moa50 / 50Low
Nachuo50 / 50Vertical
Soojik60 back / 40 frontDiagonal
Sasun50 / 50Crouched
Oguryo50 / 50 · lowered body, knees inwardOne-Leg
WaebalSupporting leg straight; raised foot beside kneeInner Open
An Palja50 / 50 · slight inward toe angleOuter Open
Bakat Palja50 / 50 · toes about 45° outwardLeft and right versions share one card; use the leg position buttons to switch (X-stance also has stepping and jumping versions). Open “See whole-body posture” to compare knee bend and body height. The body views show the legs only, so take the hand position from the ready posture or technique. Close ready stances A–D and bending ready stances A and B are described on their cards. References: ITKD Dan handbook · HSTS · Maynooth Taekwon-Do · Ge-Baek Hosin Sool.
Stance measurements, naming & body facing
Measurements use your own shoulder width. Check whether a distance is measured from the toes, the heels or the centre of the foot.
- Walking: about 1½ shoulder widths long between the toes, and one shoulder width between foot centres across the stance. Turn the rear foot outward no more than about 25°; align the front knee over the heel. Name it for the front leg.
- L-stance: about 1½ shoulder widths from the rear footsword to the front toes. Put 70% of the weight on the rear leg and name it for that rear leg.
- Fixed: about 1½ shoulder widths between the big toes, with even weight. Name it for the front leg.
- Low: like walking stance but one foot length longer. Just bending lower does not make it a low stance.
- Vertical: keep the legs straight without locking them, with 60% rear / 40% front weight. Name it for the rear leg.
Full, half and side facing mean the chest faces the target, is turned at an angle to it, or the side of the body faces it. Facing does not depend on which way you move or which hand you use. In walking stance, an obverse punch uses the hand on the front-leg side; a reverse punch uses the opposite hand.
Check length and width, foot direction, knee alignment, weight and body facing before adding the hand technique. References: ITKD New Zealand Dan handbook, stance section; HSTS stance reference.
Footwork & movement rhythm
Footwork is how you move or change your support. Motion type is the timing and breathing between techniques. A pattern instruction usually gives both.
- Stepping: move a foot to establish the prescribed stance.
- Sliding and shifting: adjust distance. Each movement’s instruction gives the stance and how far to move.
- Jumping: includes an airborne phase; establish the prescribed stance and balance on landing.
- Stamping: the foot lands with force. Ordinary steps are not stamped.
Pattern examples: Dan-Gun 13–14 uses continuous motion with full sine wave; Do-San 15–16 uses fast punches; Yul-Gok 16–17 connects two techniques with one breath and one sine wave. Consecutive kicks keep the kicking foot off the floor between kicks.
Continuous motion is about flow and fast motion is about speed; you cannot tell them apart by timing alone. See the motion page for rhythm diagrams. Reference: Paul McPhail’s motion and sine-wave study.